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Issues : Inaccuracies in GC
b. 47-48
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composition: Op. 25 No 11, Etude in A minor
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Same as in bar 45, in GE1 the slur starts from the beginning of the bar, which is an erroneous interpretation of the too broad slur of GC. In addition, in GE1 the slur is led only to the b at the beginning of bar 48, which is a totally unjustified arbitrary decision of the engraver. GE2 (→GE3) re-established the notation of GC, compatible with the remaining sources. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 49
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composition: Op. 38, Ballade in F major
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GC overlooked the category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GC |
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b. 49-52
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composition: Op. 25 No 3, Etude in F major
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We consider Gutmann's misunderstanding of the notation of [A] to be the most probable explanation of the difference between GC (→GE) and FE and EE. The same applies to bars 53-58 and 60-64. category imprint: Differences between sources issues: Wedges , Inaccuracies in GC |
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b. 49
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composition: Op. 25 No 9, Etude in G♭ major
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The missing staccato sign in GC (→GE) is most probably a result of the copyist's distraction. In the main text we give the dot of FE, as in a similar context at the end of the Etude, all sources feature a dot. category imprint: Differences between sources issues: Wedges , Inaccuracies in GC |
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b. 50
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composition: Op. 25 No 9, Etude in G♭ major
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The missing category imprint: Differences between sources issues: Inaccuracies in GC |