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Issues : EE revisions
b. 1
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composition: Op. 25 No 5, Etude in E minor
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In the main text we give the title and dedication in accordance with the title page of the entire opus in FC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1-2
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composition: Op. 25 No 5, Etude in E minor
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EE2 (→EE3) added fingering for three figures in the R.H. In spite of a clear accuracy, nothing indicates its provenience from Chopin. category imprint: Differences between sources issues: EE revisions |
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b. 1
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The category imprint: Differences between sources issues: EE revisions , Errors in FE , 4/4 or 2/2 |
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b. 1-2
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slur embracing the bass motif, visible in GC (→GE), was probably overlooked by the engraver of FE1 (→FE2→EE1). It was then added in the proofreading of FE3 (→FE4), probably as a result of Chopin's intervention. The sign was also added in EE2.
category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 1
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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While writing to Fontana in August 1839, Chopin described this movement of the Sonata as "a short finale." The omission of the convention "Finale" title in FE (→EE1) seems to be, therefore, a common oversight. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |