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Issues : Long accents
b. 8
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composition: Op. 10 No 2, Etude in A minor
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In the main text, according to the entries written by Chopin himself in FEcor and Ap, we give the long accent mark over the 2nd crotchet in the L.H. In FE (→GE,EE) it was given a form of a category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 8
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composition: Op. 10 No 9, Etude in F minor
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From the graphic point of view, it is hard to consider the accent in A as long, however, it cannot be excluded that in this place the composer's intention is rendered better by the sign of AI. category imprint: Differences between sources issues: Long accents |
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b. 8-9
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composition: Op. 10 No 3, Etude in E major
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The long accent over the d category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 8
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composition: Op. 25 No 7, Etude in C♯ minor
category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FE |
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b. 8
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composition: Op. 25 No 9, Etude in G♭ major
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Same as in the previous bars, the accents are a result of Chopin additions in GC and (most probably) in the base text to EE. The first two signs are clearly longer, however, according to us, it follows from the intention of clearly writing the signs overlapping the slur. The missing second one in GE1 is most probably an oversight (cf. the note concerning the chord in the L.H.), yet it is hard to state what was the reason of omitting this sign in EE. See also the note on articulation in this bar. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Errors in GE |