Page: 
Source: 
p. 3, b. 16-30
p. 1
p. 2, b. 1-15
p. 3, b. 16-30
p. 4, b. 31-43
p. 5, b. 44-58
p. 6, b. 59-77
p. 7
FED - Dubois copy
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF FED - Dubois copy


  b. 26

No dynamic indications in A (→GEFEEE)

 written into FED, FEJ and FES

 in FEFr

We adopt as binding the dynamic marking written by Chopin into all the three extant teaching copies. A similar dynamic concept for the return of the 1st theme was confirmed by Franchomme in FEFr.

Learn more »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic post-publication changes and variants

notation: Verbal indications