Page: 
Source: 
p. 2, b. 1-34
p. 1
p. 2, b. 1-34
p. 3, b. 35-52
p. 4, b. 53-73
p. 5, b. 74-92
p. 6, b. 93-104
p. 7, b. 105-114
p. 8, b. 115-126
FE1 - First French edition
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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No differences
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 30

Short accent in FE (→EE)

No mark in GE

Long accent suggested by the editors

The missing accent is most probably an oversight of the engraver of GE. In the main text, we suggest a long accent, since the shorter mark in FE is most probably related to its atypical placement between two top elements of the chord. Generally, it is impossible to reproduce such a notation, sometimes used by Chopin, e.g. in the Concerto in F minor, op. 21, the 2nd mov., bar 36, in print accurately.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Long accents, Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a