While proofreading FE (→GE,EE), Chopin clearly changed the accentuation scheme of these bars. The accents on every sixth quaver, together with a natural support on strong beats of the bar, determine triple beat corresponding to the time signature. Therefore, the removal of two out of three accents written in A eliminated the divergence between the double accentuation and triple beams (see also the note on slurs in bars 1-2). Moreover, the reduced accents – two instead of six in each bar – transform themselves from a generally technical hint into a part of the phrase's shaping. Chopin introduced analogous changes also in bars 17-20. Cf. bars 4 and 5-8.
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins