![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
![](/build/images/x_button.png)
In A the dynamic marks – and particularly
– in bars 51-53, 60 and 62-63 are written only on the 4th beat of the bar, sometimes on
marks. According to us, it is an example of use of an earlier notation convention by Chopin – see bars 10-12. In FE (→GE,EE) only one of the indications was reproduced in accordance with A (bar 52), some of them were overlooked (in separately discussed bars 61-62) and the remaining ones were arranged in such way so they concern entire octave motifs pursuant to the currently binding notation rules. Cf. the remarks concerning
marks in bars 51-63.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Authentic corrections of FE, Centrally placed marks
notation: Verbal indications