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p. 16, b. 192-207
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b. 207
In the stage of proofreading FE, the ending of this tutti underwent a similar change as in the previous variation. Eventually, in the version for one piano, all four endings – of the Theme and the first three variations – were given a similar form, with a chord in a higher register (in open position) on the 2nd quaver and a doubled or tripled b root on the third one.
See b. 175
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category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Authentic corrections of FE, Bass register changes, Main-line changes
notation: Pitch
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1