b. 367
pédale de la basse in AsI |
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after first quaver in A, literal reading |
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under 1st quaver suggested by the editors |
The placement of the mark in A does not allow us to reproduce Chopin's intention unequivocally. Statistically speaking, Chopin would write a mark more often – especially in the case of low-placed bass notes – before the note it was supposed to concern than after such note, but his autographs include both situations. Therefore, we assume that in this case it is the pianistic context that is decisive – bass pedal notes belong to Chopin's favourite harmonic procedures, hence the doubled F1-F octave held with pedal seems to be more likely than the solution adopted by the editions. This conclusion is confirmed by the notation of AsI – the 'bass pedal' indication written under the semiquaver figuration undoubtedly refers to the reverberation of the initial octave, which in the orchestral part is sustained by the f note, played in bars 367-368 by the bassoon, while in bars 369-370 by the French horn.
Compare the passage in the sources»
category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions
issues: GE revisions, Inaccuracies in A
notation: Pedalling