Issues : Authentic corrections of FE
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b. 136
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composition: Op. 2, Variations, complete
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In the main text we give the proofread – almost certainly by Chopin – version of FE, with a "lighter" sixth instead of a three-note chord. A similar situation is in b. 144 and 160. category imprint: Differences between sources; Corrections & alterations |
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b. 142
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composition: Op. 2, Variations, complete
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In A the last fingering digit in the 1st half of the bar concerning the R.H. (over f2) is 3, whereas GE1 printed there a 2 (by mistake). The mistake was corrected in all editions based on GE1 – in GE2 (→GE3) and FE the digit 3 was restored, while in EE the erroneous digit was removed. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 144
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composition: Op. 2, Variations, complete
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As in b. 136, in the main text we give a sixth, which Chopin introduced instead of a three-note chord while proofreading FE. category imprint: Differences between sources; Corrections & alterations |
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b. 149
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composition: Op. 2, Variations, complete
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In AsI there are no accidentals before the last two demisemiquavers in the bar. This time, Chopin's patent oversight – cf. analogous b. 137, 141 and 145 – remained unnoticed also in A (→GE→FESB,EE1→EE2). It was only FE and EE3 that added flats restoring b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Authentic corrections of FE , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 150
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composition: Op. 2, Variations, complete
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In AsI and A (→GE→EE,FESB) the flats restoring e category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Errors repeated in GE , Errors repeated in EE |
and b