Issues : Accompaniment changes
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b. 144
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composition: Op. 2, Variations, complete
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As in b. 136, in the main text we give a sixth, which Chopin introduced instead of a three-note chord while proofreading FE. category imprint: Differences between sources; Corrections & alterations |
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b. 157
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composition: Op. 2, Variations, complete
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In this and the next two bars AsI contains an earlier version of the alternative L.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 158
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composition: Op. 2, Variations, complete
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The version of AsI with two identical chords on the 2nd and 3rd quavers in the bar must be earlier. In the main text we give a chord without e1 written in A (→GE→FE,EE,FESB) as the 3rd quaver of the alternative L.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 159
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composition: Op. 2, Variations, complete
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The version of AsI, closer to the rhythm of the previous bars, must be earlier. In the main text we adhere to the improved version of the remaining sources. In the main text we correct the mistake (probably by Chopin) in the notation of the arpeggio, since it is unlikely that a wavy line in this position could have a different meaning. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 160
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composition: Op. 2, Variations, complete
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As before, in the main text we give a sixth, introduced by Chopin instead of a three-note chord while proofreading FE. In this bar, it is also AsI that provides the alternative L.H. part (featuring the three-note chord of the initial version). In this manuscript, a three-note chord – D-F-B category imprint: Differences between sources; Corrections & alterations; Source & stylistic information |
– is also on the 4th quaver; however, F was eventually removed. See also the note in the next bar.