Issues : FE revisions

b. 63

composition: Op. 2, Variations, complete

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In the main text we add a  restoring e1. The accidental was also added in FESB.

category imprint: Differences between sources; Editorial revisions

issues: FE revisions

b. 104-108

composition: Op. 2, Variations, complete

Notation in AsI & A (→GEEE,FESB)

Notation in FE

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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 104 and 106-108), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46.

category imprint: Differences between sources

issues: Dotted rhythms and triplets , FE revisions

b. 108

composition: Op. 2, Variations, complete

e2 in AsI, A (→GEFE,FESB) & EE2 (→EE3)

e2 in EE1 (→EE2)

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Contrary to the situation in b. 103, in A (→GEFESB) there is no cautionary  to e2. A flat was added in FE, perhaps at Chopin's request, whereas in EE1 was inserted here, raising e2 to e2. This version, possible in itself, must be erroneous, which is proven by – aside from the compliant version of the remaining sources – the comparison with analogous b. 104, 120 and 124. This erroneous revision (or maybe simply a mistake) was corrected only just in EE3, where the  was changed to a .

category imprint: Differences between sources

issues: EE revisions , Errors in EE , Cautionary accidentals , FE revisions

b. 110-122

composition: Op. 2, Variations, complete

Notation in AsI & A (→GEEE,FESB)

Notation in FE

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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 110, 120 and 122), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46.

category imprint: Differences between sources

issues: Dotted rhythms and triplets , FE revisions

b. 123-126

composition: Op. 2, Variations, complete

Notation in AsI & A (→GEEE,FESB)

Notation in AsI & A (→GEEE,FESB)

Notation in FE

Notation in FE

..

The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 123, 124 and 126), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note to b. 45-46.

category imprint: Differences between sources

issues: Dotted rhythms and triplets , FE revisions