mUltimate Chopin

Op. 2, Variations, complete

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b. 359

composition: Op. 2, Variations, complete

B-b quaver in small script in A & FE

B-b quaver in regular script in AsI & GE (→EE,FESB)
..

As in bar 345, the engraver of GE (→EE,FESB) erroneously reproduced the B-b octave in a normal font, which requires it to be included in the solo part. Chopin restored the correct notation in FE.

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of FE

b. 359

composition: Op. 2, Variations, complete

No signs in sources

3  suggested by the editors
..

In the main text we suggest  hairpins under the L.H. motifs after three previous analogous bars 341, 345 and 355. Crescendos in such figures are one of the elements defining the shape of a motif, hence the absence of marks must be considered Chopin's oversight.

category imprint: Editorial revisions

b. 360

composition: Op. 2, Variations, complete

No signs in sources

[ ] suggested by the editors
..

In the main text we suggest   marks after analogous bar 346. Chopin wrote similar pairs of marks also in bars 342 and 356. According to us, these pairs of hairpins, as emphasising the brilliant nature of the bravura passages, are to be considered an integral part of notation. 

category imprint: Editorial revisions

b. 361

composition: Op. 2, Variations, complete

in A

No  in GE (→FE,EE,FESB)
..

The omission of the  hairpin coupled with the cresc. indication was an arbitrary decision of the engraver of GE1.

category imprint: Differences between sources

issues: GE revisions

b. 361

composition: Op. 2, Variations, complete

Short accents in A (→GE→FE)

Vertical accents in EE
..

As before (bars 343 and 347 and bar 357), in EE the horizontal accents were arbitrarily changed to vertical ones.

category imprint: Differences between sources

issues: EE revisions