Articulation, Accents, Hairpins
b. 5-6
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composition: Op. 63 No. 2, Mazurka in F minor
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The separated hairpin in GE is a revision facilitating the engraver's work. In Chopin's times, both versions of notation were often considered equivalent. category imprint: Differences between sources issues: GE revisions , Hairpins denoting continuation |
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b. 24-25
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composition: Op. 63 No. 2, Mazurka in F minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 41
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composition: Op. 63 No. 2, Mazurka in F minor
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On the available photograph of As, next to the ending of the slur combining the grace note with the d2 crotchet, there is a dot, which could be a staccato mark. We include this possibility in our reading of the text of As. category imprint: Graphic ambiguousness; Differences between sources |
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b. 42
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composition: Op. 63 No. 2, Mazurka in F minor
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The extension of the hairpin in EEW is an arbitrary revision, probably based on the analogy with bars 2 and 10. See also bar 50. category imprint: Differences between sources issues: EE revisions |
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b. 50
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composition: Op. 63 No. 2, Mazurka in F minor
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Similarly to bar 42, the extended hairpins in GE2 (→GE3) and EEW result from arbitrary revisions, probably based on the analogy with bars 2 and 10 (GE) or 42 (EEW). category imprint: Differences between sources issues: EE revisions , GE revisions |