Page: 
Source: 
p. 3, b. 69-102
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
Main text
Main text
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 83-85

Chord with e1 in AI

Third b1-d2 in FE (→GE,EE)

The difference in the sound of the 1st R.H. crotchet in bars 83 and 85 is one of many such differences in the position and density of chords – see also the next note. In the main text we give the published version, in which the full sound of the chord is revealed only just on the 2nd beat of the bar.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3