Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
Main text
Main text
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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Important
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  b. 15

No markings in AI & GE

Accent in FE (→EE)

As was the case with the slurs in this and the previous bar – see the note above – the reason for the absence of the accent both in AI and GE could be an oversight by Chopin or the engraver of GE1. As far as AI is concerned, it also has to be taken into account that in this manuscript the accents and details significantly deviate from the published version; therefore, it is likely that while writing AI the composer did not envision an accent here at all. However, it cannot be excluded that the mark was added by Chopin only just in the last stage of proofreading FE1.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3