Issues : Authentic corrections of FE
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b. 40
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composition: Op. 23, Ballade in G minor
..
In A, there is no category imprint: Differences between sources issues: Accidentals in different octaves , Authentic corrections of FE , FE revisions , Inaccuracies in A |
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b. 41
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composition: Op. 23, Ballade in G minor
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 43
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composition: Op. 23, Ballade in G minor
..
FE1 overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 44
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composition: Op. 23, Ballade in G minor
..
The two accents in FE must have resulted from Chopin's proofreading; apparently, he decided to homogenise the markings in b. 44 and 46. Taking into account the fact that the accents of A in b. 46 are clearly long, which, however, were reproduced by FE as short, we assume that it is also in b. 44 that Chopin most probably wanted to have long accents; this is the solution we adopt in the main text. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
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b. 47
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composition: Op. 23, Ballade in G minor category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
before the top note of the L.H. octave in the middle of the bar (f
) – the accidental appears only just before the f
to f1. Chopin wrote in this bar a cautionary 
