Page: 
Source: 
p. 11, b. 186-214
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 204-205

In AImaz a dotted rhythm is to be found three times here – on the 1st beat of b. 204 and on the 2nd beat of b. 205 and  further on in b. 204. In the case of the latter, the dots prolonging the crotchets and the quaver flags were most probably added as a change of the initial version with two crotchets. In the final version of the Polonaise, this motif appears twice (also in b. 145-146), in which a dotted rhythm was used only at the beginning of b. 145.

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category imprint: Corrections & alterations; Source & stylistic information

issues: Chopin's hesitations, Dotted or even rhythm

notation: Rhythm

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES