Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE2 - Second German edition
FE - French edition
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FES - Stirling copy
EE - English edition
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EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 24-26

GE2 changed the layout of the text, placing the entire R.H. part on the top stave (in bass clef). This change is contrary to Chopin's habit, who would write the R.H. part in such a manner only in exceptional situations (e.g. in the Prelude in E major, Op. 28 No. 9). Similar changes were introduced in all analogous passages (bars 50-52, 76-78, 283-285, and 309-311), as well as in bars 79-83. We do not reproduce this inauthentic layout in our transcripts for these changes do not influence the meaning of the text.

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: GE revisions

notation: Shorthand & other

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES