mUltimate Chopin

Op. 44, Polonaise in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 83-97
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Pitch
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Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 87-88

2 staccato dots in GE

No dots in FE (→EE)

As the staccato dots over a1 are present only in these two bars in GE, it is probably a mistake of the engraver, who still did not notice that, starting from b. 87, some quavers were no longer provided with dots. In the main text we give the consistent articulation of FE (→EE).

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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