Page: 
Source: 
p. 1, b. 1-13
p. 1, b. 1-13
Main text
Main text
A - Autograph
FC - Fontana's copy
AB - Autograph Beauchesne
ACh - Autograph Cheremeteff
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
AB - Autograph Beauchesne
ACh - Autograph Cheremeteff
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 12

No markings in A (→FCGE, →FEEE) & ACh

 in AB & CGS

in FED

() – our variant suggestion

In the version prepared for print, as well as in ACh, Chopin did not mark the scale of the final crescendo. However, such markings are present in AB and CGS and in FED. In the main text we suggest (in a variant form – in brackets) the  written by Chopin in FED, since it is the only addition to the text of A (→FE) coming directly from the composer. According to us, the authenticity of the  indication of CGS also seems to be highly likely, which is a consequence of a long, close acquaintance between the copyist and Chopin.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FED

notation: Verbal indications

Missing markers on sources: CGS, AB, ACh, A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a