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Source: 
p. 1, b. 1-16
p. 1, b. 1-16
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Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Pedalling
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A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 9-14

Pedalling in A (→FCGE, →FEEE)

Pedalling in CXI

No markings in CGS

As in bars 5 and 7, the position of  marks in bars 9 and 13 (and also 11) is possibly inaccurate, although one cannot entirely rule out that their placement, resulting in a well-sounding pedalling, is authentic – see b. 5-6.
The placement of  signs is most probably inaccurate in this manuscript and therefore the editors recommend releasing the pedal before the 3rd beat in bar 10 and 14 (also 12) even when one chooses the delayed pedal use.
No pedalling markings in CGS – see b. 3-4.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pedalling

Missing markers on sources: CGS, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, CXI, EE1a