mUltimate Chopin

Op. 24 No. 3, Mazurka in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-21
p. 1, b. 1-21
p. 2, b. 22-43
Main text
Main text
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 3-8

AI and A (→GE1→FE→EE)

Additional "voice" in GE2

In bars 3-4 & 7-8 in GE2 the crotchets e and A were notated as if each of them belonged to two parts. This kind of pedant revision, justified in an orchestral score, is a needless complication in piano music performed by one person. A similar situation occurs in bars 25-28 & 31-32.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm