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b. 17-18

composition: Op. 24 No. 3, Mazurka in A♭ major

b in the chord in AI

c1 in A (→GEFEEE)

..

In AI the last chord in bar 17 contains a note b followed in the next chord by a b with a cautionary . In the main text we give c1 according to A (→GEFEEE).

category imprint: Differences between sources

issues: Enharmonic corrections

b. 17

composition: Op. 24 No. 3, Mazurka in A♭ major

..

We add a cautionary   before f.

category imprint: Editorial revisions

b. 19

composition: Op. 24 No. 3, Mazurka in A♭ major

The chord in AI

The chord in A (→GEFEEE)

..

In A (→GEFEEE) Chopin wrote b, in this context more natural than c1 appearing in AI.

 

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Enharmonic corrections , Corrections of AI

b. 19

composition: Op. 24 No. 3, Mazurka in A♭ major

..

We add a cautionary  before d flat.

category imprint: Editorial revisions

b. 20-24

composition: Op. 24 No. 3, Mazurka in A♭ major

 The fifth in AI

The chord in A (GEFEEE)

..

In A (→GEFEEE), while prolonging the ending of that part Chopin emphasized its harmonic virtue by marking the sustention of the full C-major chord with notes as well as with pedal. Cf. notes related to the R.H. and pedalling.

category imprint: Differences between sources; Corrections & alterations