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p. 1, b. 1-10
p. 1, b. 1-10
p. 2, b. 11-21
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
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EE1 - First English edition
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EE2 - Revised impression of EE1a
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  b. 9-10

2 wedges in A (→FC), literal reading

Dot & 2 wedges in FE (→EE)

2 dots in GE

4 wedges suggested by the editors

A (→FC) feature distinct wedges above the R.H. chords. With the layout of the manusripts – lower notes of the R.H. chords wirtten on the lower staff – those marks pertain certainly to both hands, hence we also add wedges below the L.H. octaves. This solution was adopted already in FE (→EE), although only in bar 10. EE (→EE) in bar 9 and GE in both bars reproduce the mark as a staccato dot (in the R.H. only).
Similarly in bars 11-12.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE, Inaccuracies in FE, FE revisions, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, GE3, EE1a