Issues : GE revisions
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b. 29
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no before the bottom note of the chord on the 2nd quaver (e). The patent inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 30
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composition: Op. 28 No. 16, Prelude in B♭ minor
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There are 3 authentic cautionary flats (before d2, g2 in the R.H. and e1 in the L.H.); in the main text we add another one, before the b1 semiquaver. In turn, in EE and GE2 a was added before a2 on the 4th beat of the bar. category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 32-33
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Adding a phrase mark concerning the L.H. in similar contexts is a revision of GE, quite frequently encountered in Chopin's pieces. category imprint: Differences between sources issues: GE revisions |
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b. 33
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The four marks in A are typical long accents, which, however, were reproduced fairly accurately only in FE. The marks in FC are slightly longer, whereas in GE they were adjusted to the length of an entire semiquaver group. In EE, as it was performed in the preceding bar, the marks were considered accents and were doubled (there are separate accents for the right and the left hands). category imprint: Differences between sources issues: Long accents , EE revisions , GE revisions , Inaccuracies in FC |
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