Shorthand & other
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b. 28-43
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composition: Op. 28 No. 15, Prelude in D♭ major
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In A (→FC→GE) the repeated quavers are marked as a minim tremolo. Such a notation was used in A in the entire bar in b. 28-34, 37-38 and 42 and in the second halves of b. 35-36, 39 and 43, while in FC (→GE) also in the first halves of b. 36 and 39. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 41
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composition: Op. 28 No. 15, Prelude in D♭ major
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In A (→FC) this bar is marked in the R.H. part with a •/• sign as a repetition of the preceding one. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 44-46
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composition: Op. 28 No. 15, Prelude in D♭ major
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In A (→FC) b. 44-58 are written down as empty bars, numbered from 1 to 15, which means that b. 28-42, numbered the same, should be repeated. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 47-58
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composition: Op. 28 No. 15, Prelude in D♭ major
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In A (→FC) b. 44-58 are written down as empty bars, numbered from 1 to 15, which means that b. 28-42, numbered the same, should be repeated. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 59-66
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composition: Op. 28 No. 15, Prelude in D♭ major
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In all sources, some groups of repeating quavers are marked as a minim tremolo. Such a notation is used in A (→FC→GE) in entire b. 62 and in the second halves of b. 59 and 66, while in FC (→GE) also in the 2nd half of b. 65. In FE the abbreviations were used in the 2nd half of b. 59 and in b. 62, while in EE only in b. 62. category imprint: Source & stylistic information issues: Abbreviated notation of A |