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Source:
p. 1, b. 1-34
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b. 18-26
One can only guess what the motivation of the reviser of GE2 was at the time of arbitrarily changing the R.H. rhythm in all bars in which Chopin wrote quintuplets (b. 18-20, 23 and 25-26). After all, there are no doubts that the change, introduced many years after Chopin's death, does not come from the composer.
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information
issues: Corrections in A, GE revisions, Deletions in A
notation: Rhythm
Missing markers on sources:
A, FC, FE1, FE2, FEJ, FED, FES, FESch, GE1, GE2, GE3, EE1a, EE2, EE1