mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

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Page: 
Source: 
p. 3, b. 59-98
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 77-87

B in AI & AF (→FE→EE)

B1 in GE

In the main text we give the version of GE, in which the bass notes in b. 77, 79, 85 and 87 are placed an octave lower with respect to the remaining sources. There is no doubt that it is a Chopinesque improvement – he would use this tool on a number of occasions, e.g. in the Waltz in C Minor, Op. 64 No. 2, b. 1-2.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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