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p. 9, b. 265-303
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 302

Small quavers in GE2 (→GE3)

Small semiquavers in GE2 (→GE3)

We keep the notation of the majority of the sources, in which the double grace note is written in quavers. However, in the face of A, one can ponder whether Chopin did not forget to add the top beam of the semiquaver beaming, since in analogous b. 404 all sources feature small semiquavers.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Ornaments

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC