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p. 12, b. 366-405
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 394

3 crotchets in A (→FCGE)

Dotted rhythm & crotchet in FE

Crotchet & dotted rhythm in EE & FESf

The origin of the version of FE is unclear. It may be Chopin's proofreading; it would be then the latest authentic version. On the other hand, one cannot exclude a mistake of the engraver: looking at the already finished, correctly engraved version of FE, the engraver could have mistakenly associated the dot prolonging the f1 minim with the e1 crotchet and could have added the allegedly missing quaver flag to the next note. The second possibility is supported by the fact that the notation of FE is not entirely correct, since extending dots should be both next to e1 and f1. One can assume that Chopin would have bothered to add the second dot if he had prolonged the 1st crotchet. In this situation we consider the version of FE only a variant of uncertain authenticity while saving the main text for the undoubtedly Chopinesque version of A. The version of FE was regarded as erroneous already in EE, in which, however, not knowing the authentic version, the rhythm of the three previous analogous bars was introduced (369, 373 and 390). The same correction was entered into FESf, which could have also been performed by analogy and which does not influence the evaluation of a possible authenticity of that version.  

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, Authentic corrections of FE

notation: Rhythm

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC