Issues : Corrections in A
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b. 535
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see that the 1st octave was originally written as E-e. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |
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b. 538-540
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give 5 accents written by Chopin in FC, our principal source. The slur present in A was not reproduced both in FC and FE; Chopin also did not introduce it in any of them, although he was adding indications in this place in both of them. In turn, the category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Chopin's hesitations , Authentic corrections of FC |
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b. 561-566
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composition: Op. 31, Scherzo in B♭ minor
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The slurs of EE added in b. 561-562 and 565-566 are contrary to Chopin's intention. It is proven by the same type of slurs having been crossed out in A in the first of those places. According to us, it is even uncertain whether the slurs were an actual original concept of articulation of those motifs, since Chopin could have erroneously marked one similar place too many while adding slurs on that page of A. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A , Deletions in A |
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b. 573-576
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composition: Op. 31, Scherzo in B♭ minor
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A missing accent at the beginning of each of these 4 bars may be an oversight of Fontana. According to us, it is, however, more likely that Chopin added the accents in A after FC had already been prepared. category imprint: Differences between sources issues: Corrections in A , Errors of FC |
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b. 630-631
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we include the pedalling gradually added by Chopin: category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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