mUltimate Chopin

Page:

Source:

p. 12, b. 280-315

p. 1, b. 1-32

p. 2, b. 33-58

p. 3, b. 59-89

p. 4, b. 90-122

p. 5, b. 123-144

p. 6, b. 145-162

p. 7, b. 163-193

p. 8, b. 194-221

p. 9, b. 222-239

p. 10, b. 240-260

p. 11, b. 261-279

p. 12, b. 280-315

p. 13, b. 316-342

p. 14, b. 343-360

p. 15, b. 361-375

p. 16, b. 376-391

p. 17, b. 392-409

p. 18, b. 410-449

p. 19, b. 450-475

p. 20, b. 476-495

p. 21, b. 496-520

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 283

Sixth in FE (→EE,GE1→GE2)

Fourth in GE3

It is difficult to determine what the motivation of the reviser of GE3 was when he was changing the 2nd quaver of the bar, since it is the 4th quaver that differs from the respective dyads in the analogous bars.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pitch

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo

Complete ➔

Op. 11, Concerto in E minor, Mvt III