mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Page: 
Source: 
p. 4, b. 90-122
p. 1, b. 1-32
p. 2, b. 33-58
p. 3, b. 59-89
p. 4, b. 90-122
p. 5, b. 123-144
p. 6, b. 145-162
p. 7, b. 163-193
p. 8, b. 194-221
p. 9, b. 222-239
p. 10, b. 240-260
p. 11, b. 261-279
p. 12, b. 280-315
p. 13, b. 316-342
p. 14, b. 343-360
p. 15, b. 361-375
p. 16, b. 376-391
p. 17, b. 392-409
p. 18, b. 410-449
p. 19, b. 450-475
p. 20, b. 476-495
p. 21, b. 496-520
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Rhythm
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Articulation, Accents, Hairpins
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Differences
No differences
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Main
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  b. 100-103

No marks in FE (→EE,GE1→GE2)

Staccato dots in GE3

In GE3, all semiquavers were provided with staccato dots. It is a part of a large-scale arbitrary revision of performance indications in this Tutti. Similarly in bars 328-331.

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category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo
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