Issues : Annotations in teaching copies
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b. 180-181
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering visible in FEH was written here probably first by the pupil and then changed and completed. The correction, performed by a different hand than the original entry and similar to Chopin's handwriting, allows us to evaluate the authenticity of the later entry to be highly likely, hence we give it in the main text. category imprint: Differences between sources |
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b. 181-182
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering in FEH was written probably by the same hand that corrected the fingering in the L.H., hence most probably Chopin. Due to this reason, we give it in the main text. category imprint: Differences between sources |
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b. 182-184
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 189
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 197-198
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering given by Fontana and the one written in FEH differ significantly. Interestingly, in analogous bar 441 Fontana gave a fingering concurrent with the fingering written in FEH and not his. That convergence is rather of an accidental nature, yet the differing approach to similar figures is symptomatic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
