Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Fingering
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Fingering

b. 145-147

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

The fingering of FEH raises certain doubts, in particular the 4th finger on f​​​​​​​3 in bar 145, which causes an unnecessary hand extension. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 148-149

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

The fingerings of FEH and EE differ in the initial part of the figuration – in the former the hand immediately adjusts to the ascending part of the passage (the 3rd finger implicitly on b1), while the use of the 1st finger on a1 prepares a slightly more convenient grip of the g1-e2 sixth.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 150-151

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

Initially, the fingering of FEH repeats the idea written in the previous bars. In the descending part of the passage, the fingering scheme of the ascending part is preserved, with a small exception for a convenient passing-over – the 2nd and not the 3rd finger on the 5th semiquaver of bar 151. That fingering could have been indicated by Chopin; however, since we are not able to confirm that possibility, we do not include it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 152-154

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

In spite of differences, the indications of both sources probably represent the same fingering. A possible difference may concern only the 1st semiquaver of bar 152 – the missing marking in EE suggests the use of the 2nd finger, which is more natural for this scheme.   

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 154-155

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH