Page: 
Source: 
p. 8, b. 104-113
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 108

Continuous slur in sources

2 slurs suggested by the editors

A continuous slur in the L.H. in the 2nd half of this bar was most probably added in a proofreading of FE, replacing the slur encompassing the last 4 semiquavers. However, Chopin could have added a slur from the B note in the middle of the bar to the dnote before the semiquaver rest, and the engraver considered it an extension of the already printed slur. Due to this reason, although the source slur can correspond to Chopin's intention, it seems quite likely that the composer meant here two slurs separated with a rest, like in analogous bar 106.

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category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Inaccuracies in FE, Authentic corrections of FE

notation: Slurs

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a