Page: 
Source: 
p. 7, b. 92-103
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
Main text
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 94

FE (literal reading) & EE3

GE1 (→GE2), contextual interpretation (possible interpretation of FE)

EE1 (→EE2) – probable interpretation of FE

GE3, contextual interpretation

The rhythmic notation of the 1st half of the bar in FE is unclear – according to the written rhythmic values, the group of 20 demisemiquavers begins after the esemiquaver, yet according to the arrangement of notes – after the quaver. In GE1 (→GE2), the arrangement of notes was changed; however, a mistake in the beam arrangement was committed, as a result of which both enotes are semiquavers; after correcting the mistake, the version of GE1 (→GE2) constitutes a possible interpretation of the notation of FE. The version of EE1 (→EE2) suggests another interpretation, where the first eis a quaver. According to us, it is more likely that it is the second version that corresponds to Chopin's intention, hence we give it in the main text. In GE3, another mistake was added to the mistake of the previous GE – a wrong arrangement of the quavers in the L.H. with respect to the R.H. EE3 reinstated the unclear notation of FE.

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, Errors in GE, GE revisions, Rhythmic errors

notation: Rhythm

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a