Page: 
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p. 6, b. 78-91
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 87

Minim c2 on 2nd beat in sources

Minim c2 on 3rd beat suggested by the editors

The version of FE (→GE,EE), although it apparently does not contain a mistake, is certainly erroneous, since it does not correspond to the orchestral part in FEorch – c2, performed by the 1st clarinet, should still sound on the 4th beat of the bar. The harmonic consequences of this discrepancy are practically imperceptible when maintaining the authentic pedalling (this explains the absence of corrections in the pupils' copies), yet the tenth chord, requiring an arpeggio, constitutes an unnecessary pianistic complication. According to us, the cminim was most probably misplaced under the 2nd crotchet instead of under the 3rd one, hence in the main text we suggest changing it accordingly.

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE

notation: Rhythm

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a