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p. 4, b. 137-159
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b. 137-138
The long accent in bar 137 is Chopin's well thought-out decision – visible traces of corrections (erasures) suggest that the composer initially wrote a mark leading to the chord in the next bar. The orchestral parts are also provided with an accent in bar 138 (violins and cellos) or indeed a (double-basses).
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category imprint: Corrections & alterations; Source & stylistic information
issues: Long accents, Corrections in A
notation: Articulation, Accents, Hairpins
Missing markers on sources:
GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo