Both variants were given in the edition edited by Chopin's pupil, Karol Mikuli (Kistner, Leipzig 1879). Mikuli did not specify their origin, but defining the variant with the group of 6 semiquavers as "performance after Chopin" suggests memories and notes from the time of personal contacts between the editor and composer. It is also known that Mikuli had some insight into currently lost pupils' copies of Chopin's other pupils, e.g. Fryderyka Streicher-Müller (cf. the Sonata in B
minor, op. 35, the 1st mov., bar 120). In the main text, we suggest the version of FE (→GE,EE), with a possibility of including the arpeggio of the third, indicated by Mikuli.
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category imprint: Differences between sources
issues: Annotations in teaching copies, Authentic post-publication changes and variants
notation: Pitch