mUltimate Chopin

Page:

Source:

p. 1, b. 1-44

p. 2, b. 45-92

p. 3, b. 93-136

p. 4, b. 137-159

p. 5, b. 160-178

p. 6, b. 179-194

p. 7, b. 195-210

p. 8, b. 211-231

p. 9, b. 232-256

p. 10, b. 257-280

p. 11, b. 281-295

p. 12, b. 296-310

p. 13, b. 311-325

p. 14, b. 326-355

p. 15, b. 356-393

p. 16, b. 394-410

p. 17, b. 411-425

p. 18, b. 426-440

p. 19, b. 441-455

p. 20, b. 456-470

p. 21, b. 471-486

p. 22, b. 487-521

p. 23, b. 522-539

p. 24, b. 540-555

p. 25, b. 556-572

p. 26, b. 573-599

p. 27, b. 600-620

p. 28, b. 621-640

p. 29, b. 641-660

p. 30, b. 661-689

Main text

Atut - Autograph of first Tutti

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE2

EE3 - Revised impression of EE2

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Category

Notation

Differences

No differences

Atut - Autograph of first Tutti

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE2

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 13-16

No L.H. slurs in Atut (→FE)

Slurs in bars 14-16 in GE1 (→GE2) & EE

Slurs in bars 13-16 in GE3

In Atut (→FE), there are no slurs in the L.H., which, taking into account the complete slurring of analogous bars 17-20, must be considered an inaccuracy of notation. Both in GE1 (→GE2) and EE, in the L.H. the slurs of the R.H. were repeated. In the main text, we also add slurs in the L.H.; however, we take into consideration the slur in bars 13-14, encompassing the entire motif and most probably intended by Chopin. Such a solution was introduced already in GE3.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo

Complete ➔

Op. 11, Concerto in E minor, Mvt I