Issues : EE revisions
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b. 624
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composition: Op. 11, Concerto in E minor, Mvt I
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In an identical figuration four bars later, Fontana indicated only the fingering of the quavers in the bottom voice. However, he most probably meant the same fingering in both places. Its authenticity remains unconfirmed, like the majority of Fontana's indications. category imprint: Differences between sources issues: EE revisions |
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b. 624
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 626-635
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing accents in bars 626, 630 and 635 are most probably a result of oversights of the engraver of FE or of Chopin in [A]. In the main text, we add the missing accents like all the remaining editions. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 628
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 630-640
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 630, 635, 638 and 640 in FE, there are no little slurs combining the grace notes with the quaver that ends the motif. A comparison with the remaining similar bars of this 24-bar section points to oversights of the engraver of FE or of Chopin himself. In the main text, we add the overlooked little slurs like it was performed in GE and EE. category imprint: issues: EE revisions , GE revisions |
