Issues : Annotations in teaching copies

b. 540

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

In the analogous bar of exposition (bar 185), a different finger was written down in FEH, third. Both fingering options are convenient, yet the 3rd finger seems to be more natural in the context of the next chord.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 541

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 544

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 547

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 548

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

The digits written in FEH are identical with the ones given by Fontana in EE in analogous bar 193. See also the fingering in the R.H. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH