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Source: 
p. 1, b. 1-13
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 8

Lines indicating precisely the rhythm of a group of small notes in FES

No indication of synchronisation of both hands in the remaining sources

In A Chopin placed the small quavers more or less in the middle between the g flat3 crotchet and the c2 semiquaver,  not taking particular care to position that group in any relation to the semiquavers in the left hand. That notation was basically copied in the editions, yet in  GE, and especially in FE the group was clearly moved towards the beginning of the bar, which could in itself suggest a faulty interpretation.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Synchronization markings, Annotations in FES

notation: Rhythm