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p. 4, b. 55-69
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 56

Grace note in FE (→GE)

No grace note in EE

The version of EE is most probably the initial version of this place, changed by Chopin in the last stage of proofreading of FE. In addition to its sound value, the added grace note may also facilitate the performance if played with the 1st finger. See also analogous b. 200 and the notes on the beginning and ending of the run in the next bar.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Main-line changes

notation: Ornaments

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3