mUltimate Chopin

Op. 22, Andante spianato

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Page: 
Source: 
p. 5, b. 67-96
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-49
p. 4, b. 50-66
p. 5, b. 67-96
p. 6, b. 97-114
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 73-75

5 short accents in FE & EE2 (literal reading) & GE2 (→GE3)

Short accents in FE, contextual interpretation

5 long accents in GE1, literal reading

5 long accents in GE1, contextual interpretation

4 short accents in EE1

Due to a possible presence of long accents in b. 67 and 70 in FE, we interpret the remaining marks in this section as short accents. We interpret all accents in GE1 as long, just like before. Here and in the entire Semplice EE and later GE include short accents only. The missing bottom accent in b. 75 in EE1 is probably a revision, withdrawn in EE2.
We modify the placement of the accents in b. 73-74 on the basis of a comparison with b. 75 and 85-86.

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category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE1a, GE2, GE3, FE1, FED, EE1, EE2
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