Page: 
Source: 
p. 6, b. 125-142
p. 1, b. 1-27
p. 2, b. 28-60
p. 3, b. 61-87
p. 4, b. 88-105
p. 5, b. 106-124
p. 6, b. 125-142
p. 7, b. 143-158
p. 8, b. 159-173
p. 9, b. 174-188
p. 10, b. 189-206
p. 11, b. 207-225
p. 12, b. 226-243
p. 13, b. 244-260
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Differences
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FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 140

Fingering in FEO, literal reading

Fingering in FEO, probable interpretation

Fingering in FEO, possible interpretation

No teaching fingering

The interpretation of the fingering written in FEO is not certain. The digits written therein imply a division of the passage between the hands, different from the one following from the printed layout of beams; however, it was not marked in any way – all digits are above the notes. Therefore, it cannot be excluded that, on the 2nd crotchet in the bar, digits for the 2nd and 3rd semiquavers were swapped by mistake. 

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies, Annotations in FEO

notation: Fingering

Missing markers on sources: FE1, FEO, FES, FESf, GE1, EE1, EE2, EE3