Page: 
Source: 
p. 20, b. 488-514
p. 1, b. 1-32
p. 2, b. 33-69
p. 3, b. 70-92
p. 4, b. 93-112
p. 5, b. 113-136
p. 6, b. 137-170
p. 7, b. 171-195
p. 8, b. 196-220
p. 9, b. 221-240
p. 10, b. 241-260
p. 11, b. 261-280
p. 12, b. 281-308
p. 13, b. 309-334
p. 14, b. 335-366
p. 15, b. 367-398
p. 16, b. 399-424
p. 17, b. 425-445
p. 18, b. 446-466
p. 19, b. 467-487
p. 20, b. 488-514
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Important
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  b. 506-510

No markings in A

L.H. dots & slurs in GE1 (→FE)

L.H. slurs & dots in EE

L.H. slurs & dots in GE2

In the Chopinesque notation, the articulation markings placed over the part of the R.H. are binding also for the L.H. in this context. Due to this reason, we give this undoubtedly authentic notation of A in the main text. At the same time, it is consistent, since the passage in bars 503-505 also has a slur only over the R.H. On the other hand, the authenticity of the slurs and dots added in GE1 (→FEEE) cannot be entirely excluded, since such separate markings for the L.H. were also sometimes used by Chopin. The fact that the markings appear at the beginning of the bar and not from the moment of the R.H. passing to the upper stave suggests, according to us, that the additions were performed by the reviser.
In FE, the markings of the L.H. were reproduced with minor inaccuracies in bars 507-508. The irregularities were removed in EE, in which a slur leading to the 1st note in bar 507 was added. The marks added in GE2 in bar 506 cannot be authentic.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, GE revisions

notation: Slurs

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3