Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
b. 29-32
Eight staccato signs on the first crotchets in these bars (in both hands) are clearly wedges in A (only the sign in the L.H. in bar 30 could be considered a dot, in another context). In spite of this, the editions reproduced them as dots, which is a simplification characteristic of the engraver of GE1, uncorrected in any of the remaining editions. The absence of the sign in the R.H. in bar 31 is a patent oversight of GE1 (→FE→EE).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in GE, Errors in GE, Wedges
notation: Articulation, Accents, Hairpins